Peter Haber's 'Sommar i P1' 2025: A Controversial Dive into Trauma

No, no, no, Bibbi Rödöö, this won't do. You promised we would be spared this generic trauma narrative that Peter Haber delivers. Please, step up!

Actor Peter Haber disregards this year's Bibbi-brief and performs like a theatrical alpha male for 90 minutes. His 'Sommar i P1' includes everything – a rotten childhood, an alcoholic father, a bit of Beatles, and how he 'searches vertically within himself to bring out something new about Martin Beck.'

But hey, the whole point of Beck is that you should never have to experience anything new?

It should be enjoyed in a coma, like a security blanket.

There's no one I care less about than Haber, well maybe Haber's parents, and since they are dead and he is 72 years old, it's a terrible idea to direct the program directly to them.

I'm not fainting with surprise when Haber nostalgically talks about his youth in the free theater: 'the total commitment to communism, Mao badge on the lapel.' A wonderful time that was, for a few.

I get a brilliant idea and think I should avoid my own suffering by speeding up Haber's suffering to double speed. Unfortunately, it's impossible.

I'm already listening at double speed.